There is a song that I was humming the other day that I remember hearing many years ago. In fact, I heard it for the first time when I first got involved in a medieval re-enactment group. What is funny is that I've not heard the song in years. That song is called John Barleycorn.
According to Wikipedia, there are more English versions of John Barleycorn than any other song. The version I first heard was one by Celtic Stone, a band that made traditional music in the late 80s, early 90s. Unfortunately, there is little information about Celtic Stone on the web. I'm afraid that they must be long gone.
In my search, though, I found some lyrics to the song, also on Wikipedia. They quoted a version dating to 1782, by Robert Burns. It goes something like this:
There was three kings into the east,
Three kings both great and high,
And they hae sworn a solemn oath
John Barleycorn should die. (1)
They took a plough and plough'd him down,
Put clods upon his head,
And they hae sworn a solemn oath
John Barleycorn was dead. (2)
But the cheerful Spring came kindly on,
And show'rs began to fall;
John Barleycorn got up again,
And sore surpris'd them all. (3)
The sultry suns of Summer came,
And he grew thick and strong,
His head weel arm'd wi' pointed spears,
That no one should him wrong. (4)
The sober Autumn enter'd mild,
When he grew wan and pale;
His bending joints and drooping head
Show'd he began to fail. (5)
His coulour sicken'd more and more,
He faded into age;
And then his enemies began
To show their deadly rage. (6)
They've taen a weapon, long and sharp,
And cut him by the knee;
Then ty'd him fast upon a cart,
Like a rogue for forgerie. (7)
They laid him down upon his back,
And cudgell'd him full sore;
They hung him up before the storm,
And turn'd him o'er and o'er. (8)
They filled up a darksome pit
With water to the brim,
They heaved in John Barleycorn,
There let him sink or swim. (9)
They laid him out upon the floor,
To work him farther woe,
And still, as signs of life appear'd,
They toss'd him to and fro. (10)
They wasted, o'er a scorching flame,
The marrow of his bones;
But a Miller us'd him worst of all,
For he crush'd him between two stones. (11)
And they hae taen his very heart's blood,
And drank it round and round;
And still the more and more they drank,
Their joy did more abound. (12)
John Barleycorn was a hero bold,
Of noble enterprise,
For if you do but taste his blood,
'Twill make your courage rise. (13)
'Twill make a man forget his woe;
'Twill heighten all his joy:
'Twill make the widow's heart to sing,
Tho' the tear were in her eye. (14)
Then let us toast John Barleycorn,
Each man a glass in hand;
And may his great posterity
Ne'er fail in old Scotland! (15)
One may ask why this song even appears on The All-Grain Evangelist. It seems like a song about the brutal torture and horrific murder of a medieval hero.
In actuality, the song is much less sinister than it seems. In fact, it is nothing more than a great metaphor. The character in the song, John Barleycorn, anthropomorphizes and personifies barley and the process of growing and harvesting that barley, to malt it, and eventually make beer. Each verse represents a step in that process.
Looking in detail at those steps, the song starts out in the first verse with a decree that John Barleycorn must die.
In the he second verse, John Barleycorn is buried. In fact, when the song starts, he is already dead. This verse represents the planting of barley seed.
The third verse goes on to talk about the following spring, and how John Barleycorn is resurrected. This part represents the sprouting of barley in the spring.
The fourth verse follows suit, talking about how in the summer John Barleycorn grows strong, and is armed with spears. The metaphor continues with the maturing of the barley plants. The spear is representative of the grains at the top of the stock forming.
The fifth and sixth verses draw John Barleycorn's life near to a close, as he grows pale and sickly in the autumn. His fate is sealed when his enemies decide he must die. This represents the barley plants turning brown and being ready to harvest.
With the seventh and eighth verses, a darker tone is taken, as John Barleycorn is cut down at the knee, cudgelled, and then hung. This represents the actual harvest, where they cut the stocks, beat the stocks, and hang them out to dry.
The seeming torture continues with verses eight, nine, 10, and 11, in which John Barleycorn is thrown into a pit, drown in water, tossed on the floor, scorched with fire, and crushed with a stone. This part represents the malting process, where the grain is soaked in water, allowed to germinate, followed by spreading out on the floor of the malt-house and kilned. At the end of it all, it is milled.
Perhaps the most macabre verses in the song are 12, 13, and 14. This is where John Barleycorn's blood is consumed by all with great joy, being said to cause courage, or cause a man to forget his woes, or a widow's heart to sing. This represents the consumption of the beer that was created from the grain and the side effects of drinking: unusual courage, forgetting your problems, and so on.
Finally, the last verse is a toast to John Barleycorn and his posterity. What is interesting is that if you take his posterity and start the song again, you see that it is a big circle, as the seeds are used in the next year to plant again.
I remember when I first heard the song, I was shocked at the brutality of it. Like many songs of the time, it told the story of a tragedy. However, when I finally understood the metaphor, it was like a light turning on. I had a greater understand of the medieval brewer's mind.
I got my start in brewing in a medieval re-enactment group. This song certainly had an influence. I thought that I would share that and the song with the readers of this website.